The patent badge is an abbreviated version of the USPTO patent document. The patent badge does contain a link to the full patent document.
The patent badge is an abbreviated version of the USPTO patent document. The patent badge covers the following: Patent number, Date patent was issued, Date patent was filed, Title of the patent, Applicant, Inventor, Assignee, Attorney firm, Primary examiner, Assistant examiner, CPCs, and Abstract. The patent badge does contain a link to the full patent document (in Adobe Acrobat format, aka pdf). To download or print any patent click here.
Patent No.:
Date of Patent:
Aug. 10, 1999
Filed:
May. 13, 1998
Steven R Abrams, New City, NY (US);
Daniel V Oppenheim, Corton-on-Hudson, NY (US);
Donald P Pazel, Montrose, NY (US);
James L Wright, Chappaqua, NY (US);
International Business Machines Corporation, Armonk, NY (US);
Abstract
This invention relates to a system and method for altering the harmonic referent of segments of a music composition while maintaining the register of the musical segments and their conformity to a harmonic rule-base. By combining the three novel notions of a 'role-preserving' transformation 'shape-preserving' transformation, and a 'register' preserving transformation, a novel operation enabled by the present invention can be described. Essentially, the invention allows a pitch to be moved from one harmonic context to another. The pitches are then constrained to take on values that have the same harmonic function as their corresponding original pitches, while remaining, as much as possible, within the same register as their corresponding original pitches. Secondly, when a group of pitches are moved together as a melody, the operation can preserve not only the function and register of the pitches but the shape of the melody. Many instruments in the orchestra have a timbre that varies quite dramatically from the bottom to the top of their pitch range. A transformation which can preserve the register can be helpful, when applied to the parts of an orchestrated score, in keeping the timbral qualities intended by the original arranger. Further, when considering instruments with relatively limited pitch-ranges, preserving register is important to help ensure that the transformed part can still be realized on the desired instrument.