Adobe, Inc.

Soenke Schnepel

Sven Duwenhorst

Holger Classen

Enzo Guerrera

Stefan Wiegand

Volker W Duddeck

Steven G Warner

Peter Erick Lee

Daniel McCormick

Boris Pruessmann

Matthew C Weagle

Christian Erickson

Techniques are disclosed for reducing the amount of network bandwidth used by a distributed video editing system. A server dynamically chooses from among several encoding options, depending on the context and network conditions. The server makes every attempt to transmit a given video frame only once over the network. Depending on network performance, the quality of the transmitted video may vary. A frame identification technique is used to improve efficiency to avoid duplication of rendering work. On the client, the frame identity is used by the client to cache the frames individually, at varying qualities. These frames are cached on the client indefinitely. When the client prepares to play a frame, it examines its local cache of frames and chooses either a local cached frame or requests a remote frame at a different quality, based on the context.

Reducing network bandwidth usage in a distributed video editing system

A media editing system includes one or more machines that are configured to support cloud-based collaborative editing of media by one or more client devices. A machine within the media editing system may be configured to receive a render request for generation of a media frame, determine whether a client device is to generate the media frame, and initiate generation of the media frame. Moreover, a machine within the media editing system may facilitate resolution of conflicts between edits to a particular piece of media. Furthermore, a machine within the media editing system may facilitate provision of convenient access to media from a particular client device to one or more additional client devices.

Collaborative media editing system

Media system with local or remote rendering

An audio storage architecture allows an audio management application to manipulate and recombine segments of a musical piece such that the resulting finished composition includes parts (segments) from the decomposed piece, typically a song, adjustable for length by selectively replicating particular parts and combining with other parts such that the finished composition provides a similar audio experience in the predetermined duration. The architecture defines the parts with part variations of independent length, identified as performing a function of starting, middle, (looping) or ending parts. Each of the parts provides a musical segment that is integratable with other parts in a seamless manner that avoids audible artifacts (e.g. 'pops' and 'crackles') common with conventional mechanical switching and mixing. Each of the parts further includes attributes indicative of the manner in which the part may be ordered, whether the part may be replicated or &#x201c;looped&#x201d; and modifiers affecting melody and harmony of the rendered finished composition piece.

Methods and apparatus for representing audio data

A client computer converts selected content (e.g., an images, text, audio, etc.) into message formatted content to enable communication of the selected content in a respective message to a picture phone device in a cellular phone network. Additionally, the client computer converts the selected content into web formatted content to enable communication of the selected content to a web browser operating in a web network environment. To make the selected content available for distribution, the client computer creates a web page including a) the web formatted content and b) an address identifying a location of the message format content as it will be stored in a server. The client computer uploads the web page, web formatted content, and message formatted content to a selected server. Viewing of the web page in a browser enables a user to download the message formatted content in the server to a cellular phone.

Methods and apparatus facilitating distribution of content

An audio formatting process identifies a musical score of audio information operable to be rendered by a rendering application. The audio formatting process enumerates aspects of the score such that the aspects are operable to define renderable features of the score. The aspects further define a duration modifiable by the rendering application to a predetermined duration that preserves the tempo of the score. Additionally, the audio formatting process stores the enumerated aspects according to a predetermined syntax operable to indicate to the rendering application the manner of accessing each of the aspects of the score.

Methods and apparatus for structuring audio data

An audio management application includes a recombiner and aggregation rules to manipulate and recombine segments of a musical piece such that the resulting finished composition includes parts (segments) from the decomposed piece, typically a song, adjustable for length by selectively replicating particular parts and combining with other parts such that the finished composition provides a similar audio experience in the predetermined duration. The architecture defines the parts with part variations of independent length, identified as performing a function of starting, middle, (looping) or ending parts. Each of the parts provides a musical segment that is integratable with other parts in a seamless manner that avoids audible artifacts (e.g. 'pops' and 'crackles') common with conventional mechanical switching and mixing. Each of the parts further includes attributes indicative of the manner in which the part may be ordered, whether the part may be replicated or &#x201c;looped,&#x201d; and modifiers affecting melody and harmony of the rendered finished composition piece.

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Luetjensee, Germany

Soenke Schnepel