Universal City Studios, Inc.

Universal Studios LLC

Nicholas H Drobnis

Philip D Hettema

Edward S Newquist

Cecil D Magpuri

Benjamin L Sheldon

James H Hightower

Craig R Hanna

John Leisner

Christopher Brown

Harry C Corbin

David MacMurtry

Scott H Smith

Barry Upson

Jim Crossley

Robert A MacDonald

Randall G Novak

Harry E Largman

Norman J Kahn

Thomas A Garcia, Jr

James M Lehner

John R Murdy

Fred Gallo, Jr

Frank Masi

Craig Hanna

Ted W Van Winkle

An amusement ride includes a motion base having multiple degrees of freedom. An audience platform is eccentrically pivotable on top of the motion base about a pivot point that is eccentrically offset from a central region of the audience platform. A motor disposed on either the motion base or the audience platform is used to pivot the audience platform via a shaft. A projection screen is located either on board or off board and is used to display images or a motion picture. The amusement ride simulates fishtailing, slide out, and similar movements experienced as a vehicle turns.

Amusement ride with pivotable motion base

An amusement attraction is housed within a building. The building contains several different settings. Each setting contains a variety of scenic elements. One setting acts as a pre-show and includes an audio-visual presentation. A second setting is designed to resemble a tornado-damaged building. A third setting contains various scenic elements designed to resemble an outdoor scene. In the third setting, a special effects show takes place that includes a man-made tornado. Other special effects are used to simulate the effect of the tornado on the scenic elements in the outdoor scene. Guests can safely view the man-made tornado from a guest viewing area.

Amusement attraction with man-made tornado

An amusement ride provides an interactive experience to its passengers. The amusement ride includes at least one ride vehicle movable along a track. The amusement ride senses inputs from at least one passenger that affects various elements of the ride. The elements can be the speed of the vehicle, acceleration of the vehicle, direction of travel, orientation of the ride vehicle or the like. The inputs can be audible inputs or optical inputs, water spray, or can be activated manually by the passengers.

Interactive amusement ride

In a live-action theater, a catapult launches a prop which achieves free flight in the theater. The catapult and prop are concealed until the moment of launch, whereupon the prop suddenly hurtles into an audience's view, and lands in front of the audience. The audience views the launch from a seating area or from a vehicle moved through the theater. The prop is for example, a seaplane or a jetski. The prop is then retrieved from the landing area using a crane or other lifter and returned to the catapult for a subsequent launch. By launching a prop in a theater with a catapult, the audience sees true free flight, rather than an illusion of flight. The audience sees no supports or other devices which can diminish the effect. A catapult allows a prop to be launched directly at the audience at a realistic or full speed, creating a more dramatic effect than if a prop is moved about some distant stage area using cables or a boom.

Live-action theater

A film to live-action theater includes a screen facing an audience seating area. The screen has exit and entrance openings and movable panels to open and close off the openings. A screen elevator lifts the screen from a lowered position, wherein the entrance and exit openings are concealed behind a stage, to an up position, to allow an actor and/or a prop to move through the openings. The audience views a film presentation projected onto the lowered screen. At a predetermined time, the screen is quickly raised and a live actor and/or a prop move through the screen to a front stage area, on a track. The opening of the door panels is preferably partially concealed through special effects such as fog or lighting. As the film presentation is preferably made with three dimensional film technology, the audience perceives a film-to-live transition.

Film and live action theater

A theme park ride attraction includes a flume path having rafts floating on flowing water. The rafts are elevated and enter into a pipe. First and second pivoting ramps are attached to the pipe and supported by an actuator. As the rafts enter onto the first pivoting ramp, the actuator quickly drops the first ramp down, simulating a waterfall event.

Waterfall ride attraction

Growing community of inventors

Universal City, CA, United States of America

Nicholas H Drobnis