Lucent Technologies Inc.

Other

Mark R Sydorenko

Jonathan B Allen

James David Johnston

Deepen Sinha

Sean Matthew Dorward

A method and apparatus for measuring the 'perceptual distance' between an approximate, reconstructed representation of a sensory signal (such as an audio or video signal) and the original sensory signal is provided. The perceptual distance in this context is a direct quantitative measure of the likelihood that a human observer can distinguish the original audio or video signal from the reconstructed approximation to the original audio or video signal. The method described herein applies to noisy compression techniques; the method provides the ability to predict the likelihood that the reconstructed noisy representation of the original signal will be distinguishable by a human observer from the original input representation. The method can be used to allocate bits in audio and video compression algorithms such that the signal reconstructed from compressed representation is perceptually similar to the original input signal when judged by a human observer. The method is based on a theory of the neurophysiological limitations of human sensory perception. Specifically, a 'neural encoding model' (NEM) summarizes the manner in which sensory signals are represented in the human brain. The NEM is analyzed in the context of detection theory which provides a mathematical framework for statistically quantifying the detectability of differences in the neural representation arising from differences in sensory input. This NEM approach has been validated by demonstrating its ability to predict a variety of published psychoacoustic data, including masking and many other phenomenon.

Data compression method and apparatus

A new technique for the determination of the masking effect of an audio signal is employed to provide transparent compression of an audio signal at greatly reduced bit rates. The new technique employs the results of recent research into the psycho-physics of noise masking in the human auditory system. This research suggests that noise masking is a function of the uncertainty in loudness as perceived by the brain. Measures of loudness uncertainty are employed to form noise masking thresholds for use in the compression of audio signals. These measures are employed in an illustrative subband, analysis-by-synthesis framework. In accordance with the illustrative embodiment, provisional encodings of the audio signal are performed to determine the encoding which achieves a loudness differential, between the original and coded audio signal, which is less than (but not too far below) the loudness uncertainty.

Tonality for perceptual audio compression based on loudness uncertainty

A new technique for the determination of the masking effect of an audio signal is employed to provide transparent compression of an audio signal at greatly reduced bit rates. The new technique employs the results of recent research into the psycho-physics of noise masking in the human auditory system. This research suggests that noise masking is a function of the uncertainty in loudness as perceived by the brain. Measures of loudness uncertainty are employed to determine the degree to which audio signals are 'tone-like' (or 'noise-like'). The degree of tone-likeness, referred to as 'tonality,' is used to determine masking thresholds for use in the compression of audio signals. Tonality, computed in accordance with the present invention, is used in conventional and new arrangements to achieve compression of audio signals.

Growing community of inventors

Plainfield, NJ, United States of America

Mark R Sydorenko