Dolby International Ab

Dolby Laboratories Licensing Corporation

Kurt Krauss

Heiko Purnhagen

Kristofer Kjoerling

Holger Hoerich

Martin Wolters

Alexander Groeschel

Wolfgang Alexander Schildbach

Michael Peter Assenti

The present document discloses a method for playback of media content via a delivery channel. The delivery channel may generally refer to the channels through which audio or video programs are delivered (transmitted) to the user (receiver). The media content may generally comprise consecutive media programs. In particular, for a specific media program within the media content, a respective content type for that specific media program is also provided. The method may comprise receiving an indication of the sensitivity of a media program to playback latency. The method may further comprise receiving at least a portion of the media program. The method may yet further comprise adapting the playback of the media program based on the indication of its sensitivity to playback latency.

Latency management for content delivery

Personalized audio metadata is generated based on audio program elements and presentation configuration metadata to specify personalized audio presentations for a media presentation. The personalized audio metadata is transmitted to an adaptive streaming client in response to receiving a media presentation request by the adaptive streaming client for the media presentation. Audio program elements of a specific personalized audio presentation are transmitted to the adaptive streaming client in response to receiving subsequent media streaming requests for the audio program elements.

Enabling personalized audio in adaptive streaming

An audio signal (X) is represented by a bitstream (B) segmented into frames. An audio processing system () comprises a buffer () and a decoding section (). The buffer joins sets of audio data (D; D, . . . , D) carried by N respective frames (F, F, . . . , F) into one decodable set of audio data (D) corresponding to a first frame rate and to a first number of samples of the audio signal per frame. The frames have a second frame rate corresponding to a second number of samples of the audio signal per frame. The first number of samples is N times the second number of samples. The decoding section decodes the decodable set of audio data into a segment of the audio signal by at least employing signal synthesis, based on the decodable set of audio data, with a stride corresponding to the first number of samples of the audio signal.

Encoding and decoding of audio signals

The invention relates to the field of audio encoding. In particular, it relates to the transcoding of audio metadata between different audio coding schemes. It describes a method and a system for transcoding audio gain metadata related to dynamic range control from first gain metadata of a first audio coding scheme to second gain metadata of a second audio coding scheme, wherein the first and second audio coding schemes use coding blocks and wherein each coding block has at least one associated gain value. The method and the system select a gain value of the second gain metadata based on the gain values of the first gain metadata such that within a time interval around the time instance associated with the gain value of the second gain metadata, the minimum gain value of the first gain metadata is selected.

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Nuremberg, Germany

Kurt Krauss