Other

Sing Trix LLC

John R Devecka

David Kenneth Hilderman

Alexander Manly Stahl

Patricia Hays Clemens

Systems, including methods and apparatus, for generating audio effects based on accompaniment audio produced by live or pre-recorded accompaniment instruments, in combination with melody audio produced by a singer. Audible broadcast of the accompaniment audio may be delayed by a predetermined time, such as the time required to determine chord information contained in the accompaniment signal. As a result, audio effects that require the chord information may be substantially synchronized with the audible broadcast of the accompaniment audio. The present teachings may be especially suitable for use in karaoke systems, to correct and add sound effects to a singer's voice that sings along with a pre-recorded accompaniment track.

Vocal processing with accompaniment music input

Systems for generating audible sound, including one or more elongate rods attached to one or more flexible membranes, such that longitudinal vibrations of the rods cause vibrations of the membranes, thereby producing audible sound. In some cases, an input audio signal may cause an electromotive actuator to vibrate, and the actuator may be coupled to one of the elongate rods. In some cases, one actuator may be provided for each elongate rod. In some cases, each actuator may receive a different channel of a multi-channel audio signal, such as a stereo signal.

Audio transducer with hybrid diaphragm

An interactive electronic drum system and training techniques suitable for use in a coin-operated environment such as an arcade are described. Electronic drum pads, audio speakers, a visual display, training lights and an overall control system are combined to simulate the excitement of a live drum or inactive musical jam session for a user. Positive feedback and, as necessary, instructive aid are provided to make the experience a positive one for both the novice and the expert player. Learning and playing a musical instrument becomes an intuitive, exciting experience and not a boring chore to be endured. Players can simulate the experience of playing in a rock band before a live and appreciative audience. In short, this interactive electronic drum system makes drums and the jamming experience widely accessible to the public.

Methods and apparatus for providing an interactive musical game

Method and apparatus for simulating a jam session and instructing a user in how to play the drums

An interactive electronic drum system and training techniques suitable for use in a coin-operated environment such as an arcade are described. Electronic drum pads, audio speakers, a visual display, training lights and an overall control system are combined to simulate the excitement of a live drum or interactive musical jam session for a user. Positive feedback and, as necessary, instructive aid are provided to make the experience a positive one for both the novice and the expert player. Learning and playing a musical instrument becomes an intuitive, exciting experience and not a boring chore to be endured. Players can simulate the experience of playing in a rock band before a live and appreciative audience. In short, this interactive electronic drum system makes drums and the jamming experience widely accessible to the public.

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Clifton, NJ, United States of America

John R Devecka