Smule, Inc.

Ibis Biosciences, Inc.

Tumbleweed Communications Corp.

Axway Inc.

Tumbleweed Software Corp.

Other

Natureworks LLC

Ethicon Endo-surgery, Inc.

Inogen, Inc.

Jeffrey Christopher Smith

Perry Raymond Cook

Jean-Christophe Denis Bandini

Rex O Bare

Jeannie Yang

Steven A Hofstadler

Jared James Drader

Jose R Gutierrez

Robert Hamilton

Paul J Gleason

David Adam Steinwedel

Ran Xie

Jonathan Moody

Oscar Corral

Charles Espeleta

Ge Wang

Robert D Miller

Spencer Salazar

Rebecca A Fiebrink

Benjamin Hersh

Anton Holmberg

Mattias Ljungstrom

Jared H Nathanson

James C Hannis

Ka Yee Chan

Kevin Oberkramer

Ronald K Bergold

Mattias Ljungström

Andrea Slobodien

Bradley Joseph Sargent

Ari Lazier

Jed Richard Randall

Amanda Chaudhary

Yuning Woo

Kevin Cink

Wang Liang

Geoffrey Frank Deane

Brenton Alan Taylor

Andrew J Scherer

Anthony R DiUbaldi

Martin Nohilly

Stephen Wahlgren

James Zakareya Nangeroni

John W Kidd

Jon Moldover

Andrew J March

Dean Schaffer

Kathryn Kukulka

Joseph E Merchant

Michael William Ammerman

Thomas D Gorsky

Randy Shoup

Kevin S Oberkramer

Jean-Christophe Bandini

Disclosed herein are computer-implemented method, system, and computer-readable storage-medium embodiments for implementing template-based excerpting and rendering of multimedia performances technologies. An embodiment includes at least one computer processor configured to retrieve a first content instance and applying a template that results in transforming the first content instance. The first content instance may include a plurality of structural elements. The first content instance may be transformed by a rendering engine running on the at least one computer processor and/or transmitted to a content-playback device. An embodiment of transforming the first content instance includes trimming the content instance based on requirements provided by social media platforms.

Template-based excerpting and rendering of multimedia performance

Techniques have been developed to facilitate the livestreaming of group audiovisual performances. Audiovisual performances including vocal music are captured and coordinated with performances of other users in ways that can create compelling user and listener experiences. For example, in some cases or embodiments, duets with a host performer may be supported in a sing-with-the-artist style audiovisual livestream in which aspiring vocalists request or queue particular songs for a live radio show entertainment format. The developed techniques provide a communications latency-tolerant mechanism for synchronizing vocal performances captured at geographically-separated devices (e.g., at globally-distributed, but network-connected mobile phones or tablets or at audiovisual capture devices geographically separated from a live studio).

Audiovisual collaboration method with latency management for wide-area broadcast

User interface techniques provide user vocalists with mechanisms for seeding subsequent performances by other users (e.g., joiners). A seed may be a full-length seed spanning much or all of a pre-existing audio (or audiovisual) work and mixing, to seed further contributions of one or more joiners, a user's captured media content for at least some portions of the audio (or audiovisual) work. A short seed may span less than all (and in some cases, much less than all) of the audio (or audiovisual) work. For example, a verse, chorus, refrain, hook or other limited 'chunk' of an audio (or audiovisual) work may constitute a seed. A seeding user's call invites other users to join the full-length or short-form seed by singing along, singing a particular vocal part or musical section, singing harmony or other duet part, rapping, talking, clapping, recording video, adding a video clip from camera roll, etc. The resulting group performance, whether full-length or just a chunk, may be posted, livestreamed, or otherwise disseminated in a social network.

Audiovisual collaboration system and method with seed/join mechanic

Disclosed herein are computer-implemented method, system, and computer-readable storage-medium embodiments for implementing template-based excerpting and rendering of multimedia performances technologies. An embodiment includes at least one computer processor configured to retrieve a first content instance and corresponding first metadata. The first content instance may include a first plurality of structural elements, with at least one structural element corresponding to at least part of the first metadata. The first content instance may be transformed by a rendering engine running on the at least one computer processor and/or transmitted to a content-playback device.

Disclosed herein are computer-implemented method, system, and computer-readable storage-medium embodiments for implementing user-generated templates for segmented multimedia performances. An embodiment includes at least one computer processor configured to transmit a first version of a content instance and corresponding metadata. The first version of the content instance may include a plurality of structural elements, with at least one structural element corresponding to at least part of the metadata. The first content instance may be transformed by a rendering engine triggered by the at least one computer processor.

User-generated templates for segmented multimedia performance

User interface techniques provide user vocalists with mechanisms for solo audiovisual capture and for seeding subsequent performances by other users (e.g., joiners). Audiovisual capture may be against a full-length work or seed spanning much or all of a pre-existing audio (or audiovisual) work and in some cases may mix, to seed further contributions of one or more joiners, a user's captured media content for at least some portions of the audio (or audiovisual) work. A short seed or short segment may span less than all (and in some cases, much less than all) of the audio (or audiovisual) work. For example, a verse, chorus, refrain, hook or other limited 'chunk' of an audio (or audiovisual) work may constitute a short seed or short segment. Computational techniques are described that allow a system to automatically identify suitable short seeds or short segments. After audiovisual capture against the short seed or short segment, a resulting, solo or group, full-length or short-form performance may be posted, livestreamed, or otherwise disseminated in a social network.

Short segment generation for user engagement in vocal capture applications

Audiovisual collaboration system and method with latency management for wide-area broadcast and social media-type user interface mechanics

Techniques have been developed to facilitate (1) the capture and pitch correction of vocal performances on handheld or other portable computing devices and (2) the mixing of such pitch-corrected vocal performances with backing tracks for audible rendering on targets that include such portable computing devices and as well as desktops, workstations, gaming stations, even telephony targets. Implementations of the described techniques employ signal processing techniques and allocations of system functionality that are suitable given the generally limited capabilities of such handheld or portable computing devices and that facilitate efficient encoding and communication of the pitch-corrected vocal performances (or precursors or derivatives thereof) via wireless and/or wired bandwidth-limited networks for rendering on portable computing devices or other targets.

Audiovisual content rendering with display animation suggestive of geolocation at which content was previously rendered

User interface techniques provide user vocalists with mechanisms for forward and backward traversal of audiovisual content, including pitch cues, waveform- or envelope-type performance timelines, lyrics and/or other temporally-synchronized content at record-time, during edits, and/or in playback. Recapture of selected performance portions, coordination of group parts, and overdubbing may all be facilitated. Direct scrolling to arbitrary points in the performance timeline, lyrics, pitch cues and other temporally-synchronized content allows user to conveniently move through a capture or audiovisual edit session. In some cases, a user vocalist may be guided through the performance timeline, lyrics, pitch cues and other temporally-synchronized content in correspondence with group part information such as in a guided short-form capture for a duet. A scrubber allows user vocalists to conveniently move forward and backward through the temporally-synchronized content.

Non-linear media segment capture and edit platform

Growing community of inventors

Atherton, CA, United States of America

Jeffrey Christopher Smith