Stmicroelectronics Asia Pacific Pte Limited

Antonio Mario Alvarez-Tinoco

Sapna George

Mohammed Javed Absar

AC-3 is a high quality audio compression format widely used in feature films and, more recently, on Digital Versatile Disks (DVD). For consumer applications the algorithm is usually coded into the firmware of a DSP Processor, which due to cost considerations may be capable of only fixed point arithmetic. It is generally assumed that 16-bit processing is incapable of delivering the high fidelity audio, expected from the AC-3 technology. Double precision computation can be utilized on such processors to provide the high quality; but the computational burden of such implementation will be beyond the capacity of the processor to enable real-time operation. Through extensive simulation study of a high quality AC-3 encoder implementation, a multi-precision technique for each processing block is presented whereby the quality of the encoder on a 16-bit processor matches the single precision 24-bit implementation very closely without excessive additional computational complexity.

Multi-precision technique for digital audio encoder

A method for effecting aliasing cancellation in an audio effects algorithm using a delay modulated signal, derived from interpolation of a delay modulator at an instantaneous sampling frequency, including: determining the instantaneous sampling frequency 1/Tand band limiting an input signal, to which the audio effects algorithm is to be applied to &#xbd; Tprior to interpolation.

Aliasing cancellation in audio effects algorithms

A method and apparatus for assigning an exponent coding strategy in a digital audio transform coder. Different coding strategies having different differential coding limits may be assigned to different set of transform exponents according to the frequency domain characteristics of the audio signal. A neural network processing system is utilised to perform an efficient mapping of each exponent set to an appropriate coding strategy.

Neural network based method for exponent coding in a transform coder for high quality audio

A method for conversion of input audio frequency data, at an input sample frequency, to output audio frequency data, at an output sample frequency. The input data is subjected to expansion to produce expanded data at an output sample frequency. The expanded data is interpolated to produce output data. In one embodiment of the invention the interpolation is effected by a process that also filters the output data. In another embodiment, the input data is sampled by an integer factor to produce expanded data, the expanded data is then interpolated to produce the output data. Also disclosed is a method of transition of a signal output, at one frequency, to a signal output at another frequency. The signal output at said one frequency is faded out over a period, and the signal output at said other frequency is faded in over that period. Both signal outputs are combined to produce the signal output over said period. Apparatus for effecting the methods is also disclosed.

Universal sampling rate converter for digital audio frequencies

In a transform encoder for audio data, encoded data in the form of mantissas, exponents and coupling data is packed into fixed length frames in an output bitstream. The fields within the frame for carrying the different forms of data are variable in length, and apace within the frame must be allocated between them to fit all of the required information into the frame. The space required by the various data types depends on certain encoding parameters, which are calculated for a particular frame before the data is encoded, thus ensuring that the encoded data will fit into the frame before the computationally expensive encoding process is carried out. Information in relation to, for example, transform length, coupling parameters and exponent strategy are determined, which allows the space required for the coupling and exponent data to be calculated. The mantissa encoding parameters can then be iteratively determined so that the encoded mantissas will fit into the frame with the other encoded data. The determined encoding parameters are stored and the audio data is encoded according to those parameters after it has been determined that the encoded data will fit into the frame.

Fast frame optimization in an audio encoder

A method and apparatus for coding audio data in a frequency transform digital audio coder employing differential frequency coefficient exponent coding. Differential coding of exponents places constraints on possible values an exponent can take, which can lead to distortion in the decoded and reconstructed audio signal. The method and apparatus herein can overcome this restriction by mapping the input exponent set to a new set of values which satisfy the differential constraint as well as reducing information loss, thereby minimizing overall signal distortion due to coding restrictions.

Method and apparatus for spectral exponent reshaping in a transform coder for high quality audio

A method and apparatus for determining parameters for coupling of channels in a digital audio encoder. A frequency range of two audio channels is coupled together in a coupling channel, and a systematic method of determining optimum coupling parameters is employed. Sub-bands of the channels are processed individually, and a measure of the power of each sub-band is used to determine a coupling coefficient generation scheme for each individual sub-band. Adjacent ones of the sub-bands using the same coupling scheme are combined to form bands in the coupling channel, which dictate the generation of the coupling coordinates for the audio channels. The arrangement of the sub-bands in bands also facilitates the generation of phase flags for each band, on the basis of the coupling scheme used in the band.

Selecting a coupling scheme for each subband for estimation of coupling parameters in a transform coder for high quality audio

A method and apparatus for subband phase flag determination for coupling of channels in a dual channel audio encoder is based on a psychoacoustic model of the human auditory system. The method and apparatus are applicable to audio encoders which utilize a coupling channel to combine certain frequency components of the input audio signals. The method ensures a least square error between the original channel frequency coefficients at the encoder and the estimated coefficients at the decoder by determining the sign of the dot product of the coefficients for one of the channels and the coupling coefficients. No restriction is placed on the strategy utilized for generating the coupling channel coefficients or the coupling coordinates.

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Singapore, Singapore

Antonio Mario Alvarez-Tinoco