Dreamworks Animation LLC

Andrew Phillip Pearce

Robert Wilson

Toshiaki Kato

Evan P Smyth

Peter McNerney

Tsuey Jin Liou

Jeffrey Wike

Jon Lanz

Robert Knaack

A method of transmitting rendering data of a computer image to a client terminal via a communication channel includes: receiving rendering results of the computer image from at least one computer of a plurality of computers; identifying a partial region of the computer image based on transmission information; processing a subset of the rendering results, the subset corresponding to the identified partial region of the computer image; and transmitting, at a particular time, the processed subset of the rendering results to the client terminal via the communication channel.

Network resource oriented data communication

The present disclosure describes a technique for rendering a pre-visualization image representative of a 3D object to be printed by a 3D printer. The technique accesses a geometric digital model of the 3D object and receives one or more printer characteristics of the 3D printer. The one or more printer characteristics are associated with settlement of added material to the 3D object by the 3D printer. The technique further receives one or more material parameters of a volume of the added material that forms the 3D object. The technique further generates a digital aggregate build-up model of the 3D object using the geometric digital model, the one or more printer characteristics, and the one or more environmental parameters. Then the technique renders a pre-visualization image representative of the 3D object as the 3D object would be printed by the 3D printer based on the generated digital aggregate build-up model.

3D printer visualization shader and geometry procedural

Computer animation tools for viewing, in multiple contexts, the effect of changes to a computer animation are disclosed. An artist configures multiple visual displays in the user interface of a computer animation system. A visual display shows one or more frames of computer animation. An artist configures a visual display to reflect a specific context. For example, the artist may assign a particular virtual viewpoint of a scene to a particular visual display. Once visual displays are configured, the artist changes a configuration of the computer animation. For example, the artist may change the lighting parameters of a scene. In response, the visual displays show the visual effects of the configuration (e.g., lighting parameters) change under corresponding contexts (e.g., different virtual camera viewpoints). Using multiple visual displays, which may be displayed side-by-side, an artist can view the effects of her configuration changes in the various contexts.

Multiple visual representations of lighting effects in a computer animation scene

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Oakland, CA, United States of America

Andrew Phillip Pearce